Einer, der in seiner
Karriere so viel Unterwäsche
vor die Füße geworfen bekam,
daß er damit eine ganze
Ladenkette hätte aufmachen
können, ist Tom Jones.Sex
Tiger, der mit dem
Testosteron in der Stimme,
startete seine Karriere
1963, als er, damals noch
unter dem Namen Tommy Scott
with the Senators,
anfing, lustige Beatweisen
unters Volk zu bringen.Das
Ding mit den Senators wollte
nicht so richtig
durchstarten und so
entschloß sich Tommy Scott
dazu, alleine
weiterzumachen. Als
Clubsänger tingelte er
durch die Bars in Wales,
nicht gerade eine
vielversprechende
Ausgangsbasis für den
angestrebten Weltruhm.
Doch wie das Schicksal es
will, lief gerade Gordon
Mills des Weges, seines
Zeichens Manager.
Dieser Mister Mills ebnete
den Weg für das was dann
folgen sollte. Die erste
Single "Chills And Fever"
floppte zwar gehörig, doch
schon der Nachfolger "It's
Not Unusual" startete direkt
auf Nummer 1 der britischen
Charts durch.Da stand er
nun, der kleine Junge aus
Wales, inmitten der großen
bunten glitzernden Welt der
Unterhaltung, und ließ den
sexy swinging Ladykiller
heraushängen.Anfang der
Siebziger siedelte er nach
Las Vegas um und
konzentrierte sich darauf,
Clubshows zu spielen, statt
neue Platten aufzunehmen.
In dieser Phase hatte er
sich auf seichten Countrypop
spezialisiert, der ihm auch
eine handvoll Hits
einbrachte.
1988 dann eine faustdicke
Überraschung. Jones tat sich
mit den
electronic-Avantgardisten
"Art Of Noise"
zusammen und coverte "Kiss"
von Prince. Wer hätte das
gedacht, ein alter Sack wie
Jones wagt sich an so
ein Lied ran ? Doch es kommt
noch stärker: Zum
Jahrtausendwechsel verblüfft
Jones mit "Reload" - 17
Duette
mit so unterschiedlichen
Gästen wie den
Cardigans,Robbie
Williams,Mousse T und
James Dean Bradfield von den
Manic Street Preachers.
Sir Tom Jones,
OBE
(*
7.
Juni
1940
in
Trefforest,
Pontypridd,
Wales),
mit bürgerlichem Namen
Thomas John Woodward,
ist ein
britischer
Pop-Sänger.
Leben
Jones war ursprünglich
Staubsauger-Vertreter,
versuchte aber schon 1963
eine Karriere als Sänger mit
der
Beat-Band
„Tommy Scott with the
Senators“. In diesem
Jahr nahm er insgesamt
sieben Stücke in
Joe
Meeks
Studio auf. Diese konnten
aber erst 1965, nach seinem
ersten großen Erfolg,
veröffentlicht werden. Die
Band war nicht sehr
erfolgreich und so
entschloss er sich zu einer
Solokarriere. Als Clubsänger
tingelte er zunächst durch
Wales, seit 1964 durch die
Londoner Bars. Dort fiel er
dem Manager
Gordon
Mills
auf, der mit ihm Platten
produzierte. Die erste
Single
„Chills And Fever“ floppte
zwar noch, doch schon der
Nachfolgetitel „It's Not
Unusual“ landete als Nummer
1 in den britischen
Charts.
Viele Hits folgten. Im Jahr
1965 sang er den Titelsong
zu dem Film
Was
gibt’s neues, Pussy?
(„What's new, Pussycat?“)
und zu dem
James
Bond
Film
Feuerball
(„Thunderball“). Auch in
Deutschland war er sehr
erfolgreich und 1968 mit
„Delilah“ und „Help Yourself“
gleich zweimal auf Platz 1
der deutschen Hitlisten.
Anfang der
70er
Jahre
siedelte er nach
Las
Vegas
über, wo er in Clubshows
auftrat. In jener Zeit hatte
er sich auf seichten
Country-Pop
spezialisiert, der ihm auch
eine handvoll Hits
einbrachte. Danach wurde es
etwas stiller um ihn. 1987
tauchte er plötzlich wieder
mit dem Song „A Boy from
Nowhere“ in der englischen
Hitparade
auf. Und 1988
coverte
Jones zusammen mit den
Electronic-Avantgardisten
Art Of
Noise
die
Prince-Komposition
„Kiss“. Mit
Van
Morrison
im Duett sang er 1991 „Carrying
a Torch“. 1994 moderierte er
die ersten
MTV
Europe Music Awards
in
Berlin
und 1996 hatte er einen
selbstironischen
Cameo-Auftritt
in dem Film
Mars
Attacks
von
Tim
Burton.
Im Jahr 2000 landete er den
von
Mousse
T.
geschriebenen und
produzierten Hit „Sex Bomb“
und verblüffte in dem Album
„Reload” 1999/2000 mit einer
abwechslungsreichen Mischung
von Duetten, so mit
Nina
Persson
von den
Cardigans,
Robbie
Williams,
den
Stereophonics
oder den
Manic
Street Preachers.
Die Coverversion des
Talking-Heads-Titels
„Burning down the House“
zusammen mit Nina Persson
wurde international
erfolgreich und erreichte
Platz 10 in den englischen
Charts.
Im Jahr 2003 wurde Tom Jones
in die „Club-Carriere-Enzyklopädie
des Erfolges“
aufgenommen. 2005 wurde
Jones von
Queen
Elisabeth II.
zum Knights Bachelor
geschlagen. Durch seine
Nobilitierung
heißt er jetzt Sir Thomas.
Sexappeal
Besonders den weiblichen
Fans hatte es seine sonore,
soulige, schmuseweiche
Stimme und sein
Sexappeal
angetan. Jones trug seine
Hemden stets mindestens
einen Knopf zu weit geöffnet
und zeigte sein üppiges
Brusthaar. Es hieß, er habe
sich sogar die Innentaschen
seiner Hosen entfernen
lassen, damit er diese noch
enganliegender tragen könne.
Das Ergebnis waren
kreischende Mädchen, die ihn
während seiner Konzerte mit
Wäschestücken bewarfen.
Diskografie
Bekannte Titel
-
"It's Not Unusual"
(1965)
-
"What's New Pussycat"
(1965)
-
"Thunderball" (1965)
-
"Green, Green Grass of
Home" (1966/67)
-
"I'll Never Fall in Love
Again" (1967)
-
"Help Yourself" (1968)
-
"Delilah" (1968)
-
"Love Me Tonight" (1969)
-
"Daughter of Darkness"
(1970)
-
"She's A Lady" (1971)
-
"A Boy From Nowhere"
(1987)
-
"Kiss" (1988)
-
"Burning Down The House"
(1999/2000)
-
"Sex Bomb" (2000)
-
"Stoned In Love" (2006)
Trivia
-
Den Spitznamen "The
Tiger" erhielt er
bereits bei seinen
ersten Auftritten als
Sänger der Band "Tommy
Scott & The Senators",
weil er auf der Bühne
wild herumtigerte. Dank
seiner Bühnenshow
nannten ihn seine Fans
bereits 1962 Tiger
Tom the Twisting
Vocalist.
-
Tom ist ein
Bariton,
was ihn aber nicht davon
abhält, mit seiner
Stimme höhere Tonlagen
zu erreichen als die
meisten Tenöre. Seine
Stimme reicht vom Dis
(über dem Contra-C) über
fast drei Oktaven bis
hin zum D oberhalb des
doppelt gestrichenen C.
-
Tom Jones war entgegen
vielen Meinungen nie
Bergarbeiter, da dies
aufgrund einer
Tuberkulose-Erkrankung
als Kind gar nicht
möglich war.
Singles
-
It's Not Unusual (1.)
-
UK: 1
- 1965 –
14 Wo.
-
Once upon a Time
-
UK: 32
- 1965 –
4 Wo.
-
With These Hands
-
UK: 13
- 1965 –
11 Wo.
-
What's New Pussycat?
-
UK: 11
- 1965 –
10 Wo.
-
Thunderball
-
UK: 35
- 1966 –
4 Wo.
-
Once There Was a Time/
Not Responsible
-
UK: 18
- 1966 –
9 Wo.
-
This And That
-
UK: 44
- 1966 –
3 Wo.
-
(The) Green Green Grass
of Home
-
DE: 6
- 1967 –
22 Wo.
-
UK: 1
- 1966 –
22 Wo.
-
Detroit City
-
DE: 35
- 1967 –
5 Wo.
-
UK: 8
- 1967 –
10 Wo.
-
Funny Familiar Forgotten
Feelings
-
DE: 38
- 1967 –
2 Wo.
-
UK: 7
- 1967 –
15 Wo.
-
I'll Never Fall in Love
Again
-
DE: 31
- 1967 –
5 Wo.
-
UK: 2
- 1967 –
15 Wo.
-
I'm Coming Home
-
DE: 39
- 1968 –
4 Wo.
-
UK: 2
- 1967 –
16 Wo.
-
Delilah
-
DE: 1
- 1968 –
30 Wo.
-
UK: 2
- 1968 –
17 Wo.
-
Help Yourself
-
DE: 1
- 1968 –
24 Wo.
-
UK: 5
- 1968 –
26 Wo.
-
A Minute of Your Time
-
DE: 9
- 1968 –
11 Wo.
-
UK: 14
- 1968 –
15 Wo.
-
Love Me Tonight
-
DE: 11
- 1969 –
11 Wo.
-
UK: 9
- 1969 –
12 Wo.
-
Without Love (There Is
Nothing)
-
UK: 10
- 1969 –
10 Wo.
-
Daughter of Darkness
-
DE: 15
- 1970 –
10 Wo.
-
UK: 5
- 1970 –
13 Wo.
-
I (Who Have Nothing)
-
UK: 16
- 1970 –
8 Wo.
-
She's a Lady
-
DE: 7
- 1971 –
17 Wo.
-
UK: 13
- 1971 –
8 Wo.
-
Puppet Man
-
DE: 36
- 1971 –
5 Wo.
-
Till
-
DE: 40
- 1971 –
2 Wo.
-
UK: 2
- 1971 –
17 Wo.
-
(The) Young New Mexican
Puppeteer
-
DE: 35
- 1972 –
3 Wo.
-
UK: 6
- 1972 –
11 Wo.
-
Letter to Lucille
-
DE: 49
- 1973 –
1 Wo.
-
UK: 31
- 1973 –
5 Wo.
-
Something 'bout You Baby
I Like
-
UK: 36
- 1974 –
3 Wo.
-
Say You'll Stay Until
Tomorrow
-
UK: 40
- 1977 –
1 Wo.
-
A Boy from Nowhere
-
UK: 2
- 1987 –
10 Wo.
-
It's Not Unusual (2.)
-
UK: 17
- 1987 –
6 Wo.
-
Kiss (Art of Noise & Tom
Jones)
-
DE: 16
- 1988 –
12 Wo.
-
UK: 5
- 1988 –
5 Wo.
-
All You Need Is Love
-
UK: 19
- 1993 –
2 Wo.
-
If I Only Knew
-
DE: 82
- 1995 –
7 Wo.
-
UK: 11
- 1994 –
5 Wo.
-
Burning Down the House
(Tom Jones & Cardigans)
-
DE: 27
- 1999 –
14 Wo.
-
UK: 7
- 1999 –
7 Wo.
-
Baby, It's Cold Outside
(Tom Jones & Cerys
Matthews)
-
UK: 17
- 1999 –
7 Wo.
-
Mama Told Me Not To Come
(Tom Jones &
Stereophonics)
-
DE: 73
- 2000 –
8 Wo.
-
UK: 4
- 2000 –
7 Wo.
-
Sex Bomb (Tom Jones &
Mousse T.)
-
DE: 3
- 2000 –
15 Wo.
-
UK: 3
- 2000 –
9 Wo.
-
You Need Love Like I Do
(Tom Jones & Heather
Small)
-
DE:
100
- 2000 –
1 Wo.
-
UK: 24
- 2000 –
3 Wo.
-
Tom Jones International
-
UK: 31
- 2002 –
2 Wo.
-
Black Betty/I Who Have
Nothing
-
DE: 49
- 2003 –
6 Wo.
-
UK: 50
- 2003 –
2 Wo.
-
Stoned in Love (Chicane
&
Tom Jones)
-
UK: 7
- 2006 –
13 Wo.
Sir Thomas
Jones Woodward,
OBE
(born
7 June
1940),
known by his stage name
Tom Jones, is a
Welsh
pop
music
singer particularly noted
for his powerful voice. He
was born in
Treforest,
Pontypridd,
near
Cardiff
in
South
Wales,
United
Kingdom.
usical career
Tom Jones rose to fame in
the mid-1960s, with an
exuberant live act that
included wearing tight
breeches
and billowing shirts, in an
Edwardian
style popular among his
peers at the time. He was
known for his overt
sexuality,
before this was as common as
it has become in subsequent
years.
In 1963 he became the
frontman
for Tommy Scott and The
Senators, a local beat group.
Clad in black leather, he
soon gained a reputation in
the
South
Wales
area of the United Kingdom,
although the Senators were
still unknown in
London.
In 1964 they laid down seven
tracks with maverick
Telstar
producer
Joe
Meek,
and took them to various
labels in an attempt to get
a record deal, with no
success. The plan was to
release a
single,
Lonely Joe / I Was A Fool,
but the ever-flighty Meek
refused to release the tapes.
Only after It's Not
Unusual became a massive
hit, Meek was able to sell
the tapes to
Tower
(USA) and
Columbia
(UK). The group returned to
South Wales and continued to
play gigs at dance halls and
working men's clubs. One
night, at the Top Hat in
Cwmtillery, Jones was
spotted by
Gordon
Mills,
a London-based manager
originally from South Wales.
Mills became Jones' manager,
and took the young singer to
London.
He also renamed him Tom
Jones, an ingenious
moniker that not only linked
the singer to the image of
the title character - a
good-looking, low-born stud
- portrayed in Tony
Richardson's film of
Fielding's "Tom Jones",
which was a huge
contemporary hit, but also
subtly emphasized his
nationality. Gordon Mills
gave many rock stars their
stage names, among them
Engelbert Humperdinck
(born Arnold George Dorsey).
The Senators became the
Playboys, and later still
the Squires. It was the
beginning of the second
phase in Jones' career.
Record companies were
finding his style and
delivery to be too abrasive
and raw. Jones' vocals were
considered to be too raucous,
and he moved like
Elvis.
But eventually,
Decca
rekindled their early
interest, and Jones recorded
his first single, Chills
And Fever in late 1964.
The single
didn't chart, but the
follow-up,
It's
Not Unusual,
(co-written by
Les
Reed),
was an instant hit, released
in early 1965. Initially,
the BBC refused to play it,
but an offshore pirate
station,
Radio
Caroline,
picked it up. Its
orchestrated arrangement,
coupled with Jones'
energetic delivery, proved
infectious, and by March 1
the song reached number one
in the UK and the top ten in
America. In the same year,
Jones sang the theme song to
the
James
Bond
film
Thunderball.
Jones was awarded the
Grammy
Award for Best New Artist
for 1965. In 1966 Jones'
popularity began to slip
somewhat, causing Mills to
redesign the singer's image
into a more respectable,
mature, tuxedoed
crooner.
Inspired by long-time
influence
Jerry
Lee Lewis'
country version, Jones
released his most successful
single ever,
Green
Green Grass of Home
(written by
Claude
"Curly" Putman Jr.
in 1965), and began to sing
material that appealed to a
broad audience, as well as a
string of hit singles and
albums including What's
New Pussycat?, Help
Yourself and Delilah.
The strategy worked, as he
returned to the top of the
charts in the UK and began
hitting the
Top 40
again in the
U.S.
In 1967 he performed for the
first time in
Las
Vegas,
at the
Flamingo.
In 1968, starting at New
York's
Copacabana
night club, women would
swoon and scream, and some
would throw their
knickers
on stage. Soon after, he
began to play
Las
Vegas
and began recording less,
choosing to concentrate on
his lucrative club
performances. At
Caesar's Palace
his shows were traditionally
a knicker-hurling frenzy of
raw sexual tension and
good-time entertainment.
There, they started throwing
hotel room keys. Jones and
Elvis
Presley
became good friends,
spending time together in
Las Vegas. They had a
friendship that endured
until Presley's death in
1977.
Jones had an internationally
successful television
variety show from 1969-1971
titled
This
Is Tom Jones.
This hit TV show was aired
by the
American Broadcasting
Company
(ABC-TV) in America and
ITV
in the UK. The 1970s saw
Jones' popularity leveling
off, but the hits kept
coming:
Daughter Of Darkness,
She's
A Lady,
Till and The New Mexican
Puppeteer
were all hits in the
UK.
On
July
29,
1986,
Gordon Mills, Jones'
long-time manager, died of
cancer.
Jones' son Mark became the
singer's manager. In April
1987, the singer re-entered
the singles chart with the
hit
A Boy
From Nowhere,
which got him back into the
public eye. A few months
later he performed a version
of
Prince's
Kiss,
and recorded it with
The
Art of Noise,
and it was an instant hit.
In 1993 he signed to
Interscope Records,
releasing the album The
Lead And How To Swing It,
and his profile was raised
with a younger audience by a
powerful performance at the
Glastonbury Festival.
In 1998 he performed a
medley of songs from the
film
The
Full Monty
with
Robbie
Williams
at the
BRIT
Awards.
That same year,
Space
and
Cerys
Matthews
released The Ballad Of
Tom Jones.
In 1999 he recorded the
blockbuster album
Reload,
a collection of duets with
some of the year's brightest
stars, which brought him
back into the limelight. On
new year's eve to ring in
2000, President
Bill
Clinton
invited him to perform at
the
Millennium
celebrations in
Washington.
Throughout that year, Jones
garnered several honors for
his work, including a
BRIT
Award
for Best Male. In 2001 he
toured throughout the
Middle
East
and
Europe.
In subsequent years, he
recorded albums in
collaboration with artists
such as
Wyclef
Jean
and
Jools
Holland.
In celebration of his 65th
birthday on
28 May
2005,
Jones returned to his
homeland to perform a
spectacular concert in
Ynysangharad Park,
Pontypridd.
This was his first
performance in Pontypridd
since 1964.
His early hits include:
-
"It's
Not Unusual"
(1965), Jones' signature
song
-
"What's
New Pussycat?",
written by
Burt Bacharach
for
What's New, Pussycat?
(1965)
-
"Thunderball",
the theme for the
James Bond
film of the same name
(1965) - an
urban legend
states that upon hitting
the final high note of
the song Jones actually
passed out, but that the
take was so good it was
the version that was
released. Jones later
denied this.
-
"Green
Green Grass of Home"
(1966), his most
successful single, which
was interpreted by many
to refer to Jones'
native Wales (correctly,
according to Jones
[1]),
despite having been
originally written (by
Curly Putman)
about the USA.[2]
-
"I'll
Never Fall In Love Again"
(1967)
-
"Delilah"
(1968), the usual choice
of song for
impressionists "doing"
Tom Jones, occasionally
being criticized for the
violent nature of the
song.[citation
needed]
-
"Help
Yourself"
(1968), used recently in
an ad campaign for Diet
Dr Pepper
-
"Without
Love"
(1969).
-
"She's
A Lady"
(1971), his highest
charting US single,
peaking at #2. Written
by
Paul Anka
Jones' recording career
slumped on the pop charts
during the 1970s and '80s,
although he placed 16
singles on the
Billboard
Country Music
charts between 1976 and
1985, the biggest of which
was "Say You'll Stay Until
Tomorrow" (# 1 Country, # 15
pop) in 1977, and his
touring continued
successfully. When his son
Mark became his manager in
1987, his musical style was
taken in a different
direction. His recording
career was revived with his
first major hit single in
over a decade, A Boy From
Nowhere, taken from the
musical
Matador.
In 1988 he collaborated with
The Art of Noise to record
Prince's popular song
Kiss. Following this, he
started to record in
collaboration with a younger
generation of musicians:
His
Reload
album, released in 2000,
became the biggest hit of
his career. An album of
cover
versions
recorded as duets with
contemporary artists, using
their record producers, and
utilizing their recording
methods, it reached number
one in the United Kingdom,
and sold over 4 million
copies worldwide.[3]
In 2002, he released the
album
Mr.
Jones,
which was produced by
Wyclef
Jean
and included the singles
Tom Jones International
and Black Betty. In
2003, he was honored with a
BRIT
Award
for Outstanding Contribution
to Music. In 2004, his
Sex Bomb single became a
major US club hit.
For his contribution to the
recording industry, Tom
Jones has a star on the
Hollywood Walk of Fame
at 6608 Hollywood Blvd.
In 2005 the album
Together In Concert, was
recorded live with
John
Farnham
and his band.
He has collaborated with
Chicane
for
Stoned
in Love,
a dance track that was
released
24
April
2006.
It entered at number eight
in the UK charts the
following Sunday.
The singer was awarded an
OBE
in 1999 and a
Knight
Bachelor
in the
2006
New Years Honours
list for his services to
music, and was subsequently
knighted by Her Majesty
Queen
Elizabeth II
at
Buckingham Palace,
London
on
29
March
2006.
Although his manager and
public relations staff has
attempted to change his
sex-bomb image and
neutralize the
knicker-throwing fans, to
the delight of his audiences
Jones has never felt the
need to tone down his
behavior in the shows. Tom
Jones has remained highly
respected by other singers
and continues to attract
audiences of all ages.
As of
2008,
Jones continues to tour and
record. A major portion of
the year he regularly
performs his show at the
MGM
Grand
hotel, located on the
Las
Vegas Strip
in
Paradise, Nevada,
USA,
near
Las
Vegas.
His show at the MGM is
performed in a
cabaret
style theater. Other venues
on his yearly schedule
include numerous shows at
Atlantic City,
NJ
and appearances in the USA,
United
Kingdom
and
Canada.
Jones has recently made long
awaited performances in
South
America.
On
July 1,
2007,
Jones was one of the invited
artists who performed at
Wembley Stadium
at the
Concert for Diana,
joined on stage by guitarist
Joe
Perry
of
Aerosmith
and British soul singer
Joss
Stone.
He sang the
British National Anthem
before
Ricky
Hatton's fight
against
Floyd
Mayweather
in Las Vegas on
December 8,
2007.
The BBC reported in 2005
that Jones had amassed a
fortune of 175 million
pounds.
Personal life
The son of coal miner Thomas
Woodward (died 5 October
1981), and Freda Jones (died
7 February 2003, of cancer),
Jones began singing at an
early age. He'd regularly
sing at family gatherings,
weddings and also sang in
his school choir. He was
struck down by
tuberculosis
and bedridden for almost a
year. It was a critical time
for him, but he could do
little else but listen to
music and draw. At the age
of sixteen, Jones married
Linda Trenchard on March 2,
1957
and had a son named Mark,
long before becoming a
pop
idol.
Jones quit school with no
qualifications and took a
variety of jobs including a
builder's laborer and a
door-to-door
vacuum cleaner salesman.
In 1974, Jones moved to the
United
States,
buying the mansion formerly
belonging to
Dean
Martin
in
Bel-Air, Los Angeles.
Despite publicized
infidelities, including an
affair with the dethroned
Miss
World
of 1973, USA's
Marjorie Wallace,
and a one night stand with
Cassandra Peterson
a.k.a.
Elvira,
in which he claimed her
virginity,
he has remained married to
his wife Linda for 50 years.
One of his dalliances, a
weekend with 24-year-old
U.S. model Katherine Berkery
in a suite at New York's
Ritz
Carlton
Hotel, produced a
love
child,
Jonathan Berkery, born
June
27,
1988.
Jonathan has followed in the
footsteps of his father in
the music industry,
regardless of Jones refusal
to recognize him as his son.
Berkery has been singing and
recording music for several
years with the intention of
becoming a popular music
artist such as his father.
Jones and his wife have two
grandchildren, Emma and
Alexander Woodward.
Jones also owns a ten acre
small
holding
in the Welsh Valleys which
he uses when in Wales, and
continues to tour
extensively.
Discography
For a detailed discography,
see:
Tom Jones discography
Filmography
-
-
A fantasy story
about the London
Bridge being brought
to America
-
-
A TV musical
celebrating the
200th anniversary of
London's most
renowned Oxford
Street
Bibliography
-
Bert Schwartz: "Tom
Jones" (Grosset
& Dunlap,
New York City, 1969)
76-103307
-
Peter Jones: "Tom
Jones: Biography of a
Great Star" (Avon
Publishing, 1970 (1st
edition), 1971)
-
Colin MacFarlane:
"Tom Jones: The Boy from
Nowhere" (W.H.
Allen, London, 1988 St
Martins Press, New York)
ISBN 0-491-03118-1
-
Stafford Hildred & David
Gritten: "Tom Jones :
A Biography" (Isis
Large Print Books, April
1991)
ISBN 1-85089-486-8
-
Roger St. Pierre:
"Tom Jones - Quote
Unquote" (Parragon
Book Service, LTD.
publishers, Great
Britain, 1996)
ISBN 0-7525-1696-5
-
Stafford Hildred & David
Gritten: "Tom Jones :
A Biography" (revised
edition '98) (Sidgwick &
Jackson, 1998 an imprint
of
Macmillan Publishers
Ltd)
ISBN 0-283-06312-2
-
Chris Roberts: "Tom
Jones" (1st edition)
(Virgin
Books,
1999 an imprint of
Virgin Publishing
Limited)
ISBN 1-85227-846-3
-
Lucy Ellis, Bryony
Sutherland: "Tom
Jones: Close Up" (Omnibus
Press,
2000)
ISBN 0-7119-7549-3
(Hc)
ISBN 0-7119-8645-2
(Pb)
-
Robin Eggar: "Tom
Jones - The Biography"
(1st edition) (Headline
Book Publishing, 2000)
ISBN 0-7472-7578-5
References
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